A Dangerous Job
From last summer. Crystal Crescent Beach, Nova Scotia.
About half an hour before this picture was taken, I damn near broke my ankle. I mentioned it in a previous post but never told the whole story. Kristen and I met up at the Halifax Shopping Centre, which was an adventure in itself, with her trying to direct me to which part of the parking lot she was in.
We then drove 30km south to Crystal Crescent Beach. As it was a weekday, the beach was pretty deserted. Crystal Crescent is actually a series of beaches, the last and furthest of which is an unofficial nude beach. Stupidly, we decided to walk along the beach to get to the nude section, rather than the grassy path. This was stupid because much of the beach is strewn with enormous rocks and boulders, close to the water’s edge. Much of the trek was only boulders, in fact, with no sand in sight for a few kilometres.
Everything was going just swimmingly until I stepped on a loose rock and my left ankle twisted, rolled, then buckled underneath me. My body weight came crashing down on my ankle in an awkward squatting position, made far, far worse by the added weight of my two camera bags that had been slung over my shoulders. The extra fifty pounds of camera and lighting gear is probably what did me in, as I think my ankle would have been relatively fine without it. I gasped in pain and knew immediately that something was wrong. For a second, I thought my ankle was broken, as I was not able to move from the position I landed in and was in a great deal of pain. I managed to shimmy the bags off my shoulders and somehow didn’t let them slip down the rather large crevices that separated each boulder. Once my gear was safe, I worked on returning my ankle to a non-pretzel position. I wasn’t sure at this point if I could go on or not — but I was stuck in the middle of nowhere, Nova Scotia. Kristen sure as hell wasn’t going to carry me back to the car. So after taking a few minutes to recover, we pressed onward to our destination where the photo above was captured. The cool water of the ocean helped ease the pain, and the limp back to the car (along the path) was not nearly as painful as it could have been.
However, my ankle got much, much worse as the day wore on. It swelled to many times its original size and became discoloured. The buckle on my sandals had to be let out several notches to accommodate the ever-growing size of my ankle. My range of motion became more limited, it hurt like hell just to walk, and I couldn’t drive or even sleep properly. I ended up at a walk-in clinic where I got some anti-inflammatories, an ankle brace, and confirmation that I did indeed sprain the hell out of it. The rest of my two week trip was followed by constant nightly icing of my ankle to reduce the swelling that easily built up every day from walking around. When I got home, six weeks of physiotherapy helped to get my ankle back in normal working order. Even now, some eight months later, I feel as though my ankle is only at about 90-95% of what it was before. It no longer causes me pain, but I can tell my range of motion is slightly reduced compared to my other healthy ankle.
The upshot of all this is that the photos turned out really well, though I can’t show many of them here.
Samantha in the Studio
I’ve been using my friend Heather’s studio lately. Winter sucks for shooting as I’m pretty accustomed to shooting outdoors. And although our current Toronto winter is better than most, it’s still far too frigid to shoot outdoors on a regular basis.
The studio is in Bowmanville, which is a long trek for me, but totally worth it. A couple weeks ago, I shot a familiar face for those of you who follow the blog — Samantha. I’ve only processed one shot from the shoot so far:
The pose and outfit was Sam’s idea. I lit her with an Alien Bees 1600 strobe in a Photoflex softbox, up high to camera right. The background is dark grey seamless paper, lit with a Nikon SB-800 on a tripod. The SB-800′s zoom head was set to about 135mm, for a narrow beam of light across the background, just enough to give Sam some separation.
But I also did another fun time-lapse video:
[RSS users, please click through to the blog so you can view the video.]
The video is composed of 2,290 separate pictures, glued together using QuickTime Pro (version 7, as they’ve stripped this functionality out of the newer versions). I was using my ancient Nikon D70S tethered to a MacBook Pro running Sofortbild. Because the D70S doesn’t have an intervalometer built in, the Sofortbild software is necessary to accomplish pictures at set intervals. Despite setting the intervals to one second, I ended up with photos that were five seconds apart. I suspect this is due to the D70S’s slow buffering, processing, and/or transfer speeds, but I don’t know for sure as I have no real way to test it.
Music: Anger (Rare Force 2 Meg Mix) by Ryuichi Sakamoto.


