Archive for category In Studio

Samantha in the Studio

I’ve been using my friend Heather’s studio lately. Winter sucks for shooting as I’m pretty accustomed to shooting outdoors. And although our current Toronto winter is better than most, it’s still far too frigid to shoot outdoors on a regular basis.

The studio is in Bowmanville, which is a long trek for me, but totally worth it. A couple weeks ago, I shot a familiar face for those of you who follow the blog — Samantha. I’ve only processed one shot from the shoot so far:

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The pose and outfit was Sam’s idea. I lit her with an Alien Bees 1600 strobe in a Photoflex softbox, up high to camera right. The background is dark grey seamless paper, lit with a Nikon SB-800 on a tripod. The SB-800’s zoom head was set to about 135mm, for a narrow beam of light across the background, just enough to give Sam some separation.

But I also did another fun time-lapse video:

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The video is composed of 2,290 separate pictures, glued together using QuickTime Pro (version 7, as they’ve stripped this functionality out of the newer versions). I was using my ancient Nikon D70S tethered to a MacBook Pro running Sofortbild. Because the D70S doesn’t have an intervalometer built in, the Sofortbild software is necessary to accomplish pictures at set intervals. Despite setting the intervals to one second, I ended up with photos that were five seconds apart. I suspect this is due to the D70S’s slow buffering, processing, and/or transfer speeds, but I don’t know for sure as I have no real way to test it.

Music: Anger (Rare Force 2 Meg Mix) by Ryuichi Sakamoto.

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Self Portrait

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It took about 30 shots to get this one. Self portraits are something I’ve never been good at, nor even interested in. However, after shooting a model today in the studio, the light streaming in from the windows was too good to pass up.

The biggest challenge was getting myself in focus, since I can’t see myself through the viewfinder. I put a Nikon D700 on a tripod with an 85mm f/1.4 lens. After a few attempts at guessing the focus and failing, I eventually removed the camera from the tripod and brought it with me to where I would stand for the portrait. I then pointed the camera at the tripod and focused on it, to simulate the distance. Initially I was trying shots at f/2.8 because I wanted to make sure the depth of field was shallow enough to throw the background out of focus. This left very little leeway for any mistakes in my distance from the camera, as even an inch or two closer or further away could render myself blurry. I eventually bumped up the aperture to f/4 which gave me a bit more room to play with, without impacting the background too much.

The light was very, very warm as the sun was setting, but I cooled it down and desaturated it using Adobe Lightroom.

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One Year Ago Today

One year ago today, I shot in a studio for the first time.

I’ve posted photos from this shoot before, but now you can glimpse behind the scenes to see how it was done in this time lapse video.

Model: Randall Lome. Music: “Lovely Allen” by Holy Fuck.

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Les Coquettes Present: Love Story

The 2010 Les Coquettes season is underway with their February production of Love Story. I once again photographed the poster art/ad campaign.

Photo: Ryan Visima (moi); Layout and Design: Jake; Models: Georgie Gates (Dana Bondy), The Carpenter (Dave Lapsley); Makeup: Angela McQueen

The goal was a Harlequin romance novel level of cheesiness, and I think we hit it big time. Check out the lighting setup:

Dana and Dave are on a dark grey seamless backdrop. The main light was an Alien Bees 1600 in a 24×36 softbox. The rim light was a Nikon SB-900 at full power, with a warm orange gel, to simulate Dana and Dave being lit up by the romantic fire that rages behind them. The reflector in the bottom right corner actually wasn’t to reflect any light at all — we used it as an impromptu wind machine. La Minouche (Catherine Skinner) waved it furiously for the better part of half an hour! The image was also flipped on the horizontal axis in post, which is why the diagram doesn’t match up with the light sources in the photo.

Back to Les Coquettes… It’s an exciting season for a couple reasons. First up is a new venue, the Lower Ossington Theatre. The shot above was produced in one of the rehearsal facilities at the LOT.

I recently got a new camera (Nikon D300s), so my old Nikon D200 has been relegated to backup status. That makes it perfect for things like time lapse videos, so I made a little behind-the-scenes magic for your enjoyment. It stops just short of where we actually started shooting the poster content. The camera’s intervalometer was set to 4 second intervals and I took 1,486 shots between 8:00pm and 9:40pm. It’s being played back at 24fps.

The second exciting reason is a new venture in tiered ticket prices and fundraising. The layout of the venue provides some flexibility in terms of seating, so there’s three different price levels — proceeds from the upper price tier are going towards the Toronto Youth Theatre.

Best of all, Love Story is being presented twice in one night — each show being slightly different from the other. Want to see a bawdy night of burlesque and then have a romantic Valentine’s dinner after the show? Go for it — the first show is at 7pm. Prefer to eat first and be entertained later? That’s cool too, because the late show starts at 9:30.

This is awesome for me, the photographer, who usually can’t enjoy the full spectrum of the show when seeing it through my viewfinder. So I’ll get to watch one show and photograph the other.

The show is three weeks away, but tickets are already selling out. See you there!

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