Posts Tagged ontario

Mayor David Miller for Vantage

I recently had the opportunity to photograph Toronto’s mayor, David Miller, for Vantage magazine. Vantage is published by the Greater Toronto Marketing Alliance to promote foreign business investment in Toronto.

The perils of working for something so high-profile became immediately apparent as I met the mayor in his office. He was in the middle of an interview and I had about five minutes to snap some shots of him talking, answering questions. There would be no posed pictures, no setups. Just candid shots as I circled around the mayor and the interviewer, all while trying not to add any noise to her audio recording of the conversation. I failed miserably at this aspect, as a long, loud beeeeeeep emanated from the wireless flash after each exposure to indicate success. There was no time to switch if off, though — the mayor is a busy guy!

Mayor David Miller

Mayor David Miller

Wait a sec — that last photo looks kinda weird. They mirrored it! If you glance at the top right corner, you’ll notice the “Mayor Miller Way” street sign is completely backwards. A totally bizarre editorial decision. Why not just leave the photo as is? Or crop out the sign? Or Photoshop it away? So many options. For reference, here are both the original photos:

Mayor David Miller

Mayor David Miller

Publishing weirdness aside, I was only able to fire off about 20 decent shots during the time I had. I used my trusty Nikon 17-55mm f/2.8 lens for all the shots. For lighting, I had a Nikon SB-900 mounted on the hot-shoe of my D300S, pointed up for a little ceiling bounce. On a small tripod to the mayor’s right was a Nikon SB-800 with a LumiQuest Pocket Bounce, fired with Nikon’s wireless CLS technology.

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All New Samantha

This post only has ALL NEW Samantha content in it:

  1. New pictures
  2. New video
  3. New, uh, “enhancements”

One caveat, though — the new pictures are in the new video. So you’ll have to watch it to see them. But don’t worry, real static versions are coming to the blog soon.

Without further ado, here’s a little video I put together of Sam, made from stills and video of our latest beach shoot, as she competes for Miss Hooters of Canada 2010:

[RSS users, please click through to see video in your browser]

You might notice that Sammy looks a bit different since the last time you saw her… that’s what #3 above was referring to.

If you like what you see, do Sam a favour and vote for her from your mobile phone. Like the video says, text the name SAM to 747474 once per day, and you’ll be entered to win a trip to Hollywood, Florida for the Miss Hooters International Pageant.

She’s also on Twitter and has a Facebook Group too!

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Karma

I’ve shot for some clubs in Oshawa, off and on, since last year. A few weeks ago I showed off some shots from Junction, and now here’s some of my favourites from Karma. Karma has some strangely fantastic lighting — big diffused square panels filled with pink and blue lights that line the booths. It wreaks havoc on my white balance, but it makes for some amazing photos.

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Adriana

On Easter weekend, I drove up to Ottawa to see Adriana, a model I’ve been trying to shoot with seemingly forever. We’ve had quite a few failed attempts, starting a year ago, in May 2009. At the time, Adriana was visiting Toronto to shoot with a bunch of different photographers and although I was supposed to be one of them, we got our signals crossed and our schedules didn’t match up. I’d met Adriana on Facebook a few months previous, and we’d yet to talk on the phone or meet in person. The first day she was in Toronto, I texted her to see how things we’re going and discovered in short order that she was staying in my neighbourhood, only a five minute drive away. Oddly, we both had the evening free, despite not being able to coordinate our schedules before. Rather than shooting, we met for the first time by going out for dinner at the Green Eggplant (highly recommended), in Toronto’s Beach neighbourhood. Despite all the stellar cuisine in this city, Adriana still resists eating anywhere else when she visits Toronto, which is pretty amusing.

Fast forward to July. I’m driving back from Nova Scotia and had planned a one day detour to Ottawa so I could shoot with Adriana. There’s no easy way to get to Ottawa without going through Montreal first. Montreal driving being what it is, combined with summer travellers and construction meant a three hour delay getting to Ottawa, which meant I had to cancel our shoot.

Fast forward to December. Adriana planned a one day there-and-back trip to Toronto just to shoot with me. One of the very few snow storms we had all season decided to put the brakes on that plan and made travelling too treacherous.

Fast forward to March. Adriana planned another weekend Toronto trip to shoot with a bunch of people and made sure I was first in line, given our previous failures. It just wasn’t meant to be, however, as I was booked solid doing a trade show for the entire time she was here. We somehow managed to squeeze in a dinner at the Green Eggplant, though.

Being fed up at this point, I immediately booked a hotel in Ottawa for Easter weekend because I was determined to shoot Adriana. And this time we were successful!

We couldn’t have asked for better weather, as it was sunny and mid-20s all weekend long. On Saturday we headed out on an adventure to find a good beach, because swimwear photoshoots in early April (in Canada no less) are rare indeed. We ended up here:

How we ended up there is more of a story than I have the patience to type, but involved a lot of driving and this was the fourth place we scouted before giving up because it was getting too late in the day. Unfortunately by the time we had arrived here, the weather had cooled slightly and the sky had taken on a hazy, overcast look. All that beautiful sunshine was hidden behind some rather dull cloud cover. We pressed on and got some great shots:

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Above: natural light.

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Above: Alien Bees monolight in a small umbrella.

One thing you’ll notice about this location is a lack of the thing that usually goes hand in hand with swimwear — sand. The shore that the Ottawa River was lapping against was basically concrete or slate or something; flat and hard with some jagged edges. There were, however, these giant rocks that we used as much as we could.

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Because the light was so flat and lifeless, these two photos were shot with the addition of my Nikon SB-900 and Gary Fong Lightsphere Collapsible. I also had the Amberdome accessory attached to it to warm up the light. Despite being plagued with exposure issues when I use the Lightsphere indoors, it was perfect outside, and I’m very pleased with the results.

Coming soon: photos from the rest of our shoot, at my hotel in Ottawa.

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The Junction Nightclub

A few months back, DJ Storm of Oshawa club Junction emailed me to ask if I could come out that way to take some pictures on their Sexxy Saturday club nights. Shooting in a club presents a huge assortment of challenges, the most difficult of which is the low light levels. Creating light where there’s none is not the easiest thing in the world.

The DJ booth is a good place to stake out the joint and figure out where my best vantage points will be throughout the night. It also affords some cool photo ops:

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Even though the disco ball, LEDs, and other lights provide for some nifty effects, their levels are all very low. The above picture was shot with the camera set to ISO 3200, an aperture of f/2.8 and a shutter speed that is barely hand-holdable at 1/25th. If you click through to view the image on Flickr, you can see the full EXIF header  by selecting “More properties” in the lower right.

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The Nikon D300S that I shoot with is pretty effing good in low-light situations, giving very useable results even when it’s jacked up to ISO 3200.

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The shot above adds some flash to light up the DJ booth in the form of a Nikon SB-800 with a LumiQuest Pocket Bouncer attached. I’ve slowed down the shutter speed even further, to 1/6th. This allows more of the ambient light into the photo, but the short duration of the flash still keeps the main subjects relatively sharp.

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The two shots above are much the same as the DJ booth shot, with some added flash and slower shutter speeds of 1/8th and 1/10th, respectively.

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The shot above is by far my favourite of the last few months, for a few reasons. One, the bearded dude looks angry and therefore funny. Two, he’s the most prominent thing in the photo, staring right at the camera, isolated from the sea of people around him. You’ll notice the orange glow this whole photo has, despite using flash. This was taken much closer to the disco ball than the previous photos were, meaning the light was more intense and the slow shutter (1/8th) picked it up a little more than before.

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Dragging the shutter on the above photo helped to convey a sense of movement, but the flash still kept much of the important parts sharp. Looks like he’s in the middle of a pelvic thrust.

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I love these last two for being totally impromptu club pictures. The first dude held the finger pose for only a split second as he danced around, but I snagged it. The group in the lower photo had no idea I was even there, as I just held my camera up high over my head to capture their ridiculous faces.

Turns out DJ Storm also needed some photos of himself for some promotional posters, so we went into the studio a few weeks ago and banged these out:

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I used a High Pass filter technique in Photoshop to give them a slightly more dimensional look. You can read more about the technique on Dustin Snipes’ blog.

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Ottawa By Night

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As regular readers of the blog are aware, I’ve toyed around many times with time-lapse videos made with my DSLR cameras. This past weekend in Ottawa, I decided to be a bit more ambitious and make a video with a little variety instead of the static scenes I usually shoot.

The majority of this video was shot in about three hours on the grounds and surroundings of Parliament Hill. Over 4,000 frames garnered me about 90 seconds of footage, which I edited down to 1m25s including intro and outro titles, music, and a few seconds of regular non-time-lapse HD video.

The big swath of fire in the video is known as the Centennial Flame.

Everything was shot on a Nikon D300S with battery grip, set on a Manfrotto tripod. As good as the tripod is, the wind kicked up some fierce gusts that night, which resulted in some video jitter on the longer (200mm) shots.

After tweaking the photos in Lightroom and cropping to 16:9, I pulled each batch of JPEGs into QuickTime Player 7 Pro, which output my working movie files. I used iMovie to glue the whole mess together with movies and titles. I’d never used iMovie for anything more complicated than adding a soundtrack to existing video, but I found the whole process incredibly easy.

Now that I’m a lot more comfortable with the editing process, I have a strong inclination to make one of these vids featuring Toronto… We’ll see.

Music: “Yeah (Pretentious Version)” by LCD Soundsystem

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I Love My City

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Les Coquettes @ Bread & Circus

My favourite gal-pals (and a few boy-pals) from Les Coquettes did a little three-day run of a show titled The Long, Hot, Summer.

Illustration by James Smith, based on photos by moi

Illustration by James Smith, based on photos by moi. L-R: Charity Dawn, Dante Inferno.

Bread & Circus was the venue — a tiny little 80-seat venue in Toronto’s Kensington Market neighbourhood. It’s much smaller than we were all used to — “backstage” was more of a hallway than anything else, the spotlights were dim, and shooting in such a cramped environment was challenging to say the least.

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The upshot was that I had three days to get it right, so I was able to plant myself in a different spot every night to get a variety of shots from all angles.

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See the whole set on Flickr!

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