Posts Tagged oshawa

Samantha in the Studio

I’ve been using my friend Heather’s studio lately. Winter sucks for shooting as I’m pretty accustomed to shooting outdoors. And although our current Toronto winter is better than most, it’s still far too frigid to shoot outdoors on a regular basis.

The studio is in Bowmanville, which is a long trek for me, but totally worth it. A couple weeks ago, I shot a familiar face for those of you who follow the blog — Samantha. I’ve only processed one shot from the shoot so far:

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The pose and outfit was Sam’s idea. I lit her with an Alien Bees 1600 strobe in a Photoflex softbox, up high to camera right. The background is dark grey seamless paper, lit with a Nikon SB-800 on a tripod. The SB-800’s zoom head was set to about 135mm, for a narrow beam of light across the background, just enough to give Sam some separation.

But I also did another fun time-lapse video:

[RSS users, please click through to the blog so you can view the video.]

The video is composed of 2,290 separate pictures, glued together using QuickTime Pro (version 7, as they’ve stripped this functionality out of the newer versions). I was using my ancient Nikon D70S tethered to a MacBook Pro running Sofortbild. Because the D70S doesn’t have an intervalometer built in, the Sofortbild software is necessary to accomplish pictures at set intervals. Despite setting the intervals to one second, I ended up with photos that were five seconds apart. I suspect this is due to the D70S’s slow buffering, processing, and/or transfer speeds, but I don’t know for sure as I have no real way to test it.

Music: Anger (Rare Force 2 Meg Mix) by Ryuichi Sakamoto.

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Another Photographer: Heather Windsor

Meet Heather.

Heather is a friend of mine who takes pictures and today she opened her brand new studio space in Bowmanville, Ontario.

But before we talk about that, you need to know more about her!

Heather friended me on Facebook about a year ago, after realizing that we had each shot two of the same models. We hit it off right away, sharing our best photographic stories and insights. With Heather based a fair distance away from me in Oshawa, our first real-life meeting didn’t happen til many months later… at Hooters. Yes, Hooters. We had fried pickles and they were delicious. Hush.

She doesn’t like talking about herself on her website, but she’s a bit more chatty on her blog. And if you like what you see there, join the Facebook fan page.

Heather is a hardworking mom and fabulous photographer, so when she asked me to drive the 70km or so to Bowmanville and photograph her grand opening, I didn’t hesitate to say yes.

There were tasty treats from Custom Cakeworks:

Check out this crazy nice wallpaper:

The size of these windows makes me very excited:

Mayor of the Municipality of Clarington, Jim Abernethy, even came out for the ribbon cutting:

I’ve been bugging Heather a lot about when I can start using the space to shoot in, and I’m glad the answer is… now! I hope to get in there before the end of February and have a whole bunch of brand new content for everyone to see.

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Ed Hardy Swimwear Fashion Show

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On Tuesday night I photographed an Ed Hardy swimwear fashion show at Karma Lounge in Oshawa, Ontario. Using the Nikon D700, I shot almost everything at ISO 6400 and f/1.4 due to the very low lighting in the club.

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I also experimented with the Nikon 17-55mm f/2.8 DX lens on the D700, which is a full-frame (FX) body:

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There’s never a shortage of interesting people to shoot at a club:

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And that brings us to the swimwear models. You might be wondering, “Ryan, why did you make all these photos blue?” Answer after these:

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One major issue with club photography is the very, very strange patterns, colours, and colour temperatures of lights that are used. This is one of the major reasons I shoot raw-format photos (instead of JPEG) — so that I have full control over white balance after the photos are taken. White balancing via the auto function of the camera, or trying to do it manually at the club is an exercise in frustration. Check out the example below of Ashley.

The photo on the left is what the camera decided the correct white balance should be in automatic mode (4450 degrees kelvin). The photo on the right is after correcting the white balance in Lightroom to the maximum allowed setting of 50,000 degrees kelvin (and also setting the tint to negative 150 to combat some of the pink hue). So now instead of looking purple, Ashley looks closer to a regular human again. The problem, if there is one, is that both versions look kinda cool. So rather than trying to pick one, I compromised and just tossed out all the colour and made the selenium toned versions you see above.

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